Philipp Fröhlich

Die sieben Raben VI is an oil painting by Philipp Fröhlich showing the silhouettes of seven flying ravens over a blue brown background of water and landscape. The painting takes reference from the fairy tale "the Seven Ravens" by the brothers Grimm. First shown at Von der Heydt Kunsthalle in Wuppertal at the solo exhibition "Märchen".

Selected Images

About

The essence of Philipp Fröhlich’s artistic work is his devotion to the present-day relevance of painting as a medium, as is mirrored in its rich history. Texts of both poetic and journalistic nature often provide a point of departure for his suggestive tableaux, and he develops his practice of painterly associations accordingly, transforming existing words, sentences, and sounds into complex and labyrinthine visual dramas. Fröhlich frequently works in thematic series that investigate topics such as criminology or, most recently, children’s fairy tales from all over the world.

The artist employs the following method: he constructs models with which he explores possible motifs seen from various points of view and lighting situations. Both the photographs that he takes of the models and the models themselves are then used as source material for his painted interpretations. The more seductive the visual spaces seem at the beginning, the more expansive they become as multiperspective realms of visual experience. It is particularly Fröhlich’s dramaturgy of light and color as well as his choice of framing that articulate the artificiality of his painted compositions, producing visual puzzles that are balanced between reality and the reality of painting. Fröhlich uses genres and languages of classic art history with great detail and precision as a sort of quarry for his depictions of humans, animals, architecture, and landscapes.

Fröhlich confronts painting—whose death and resurrection have been repeatedly invoked like a mantra for decades—with the energy, bearing, and vision of a maverick. For him, pictures represent potential riddles as well as infinite interconnections with the world as both a counterpart and perpetual enigma that can be rediscovered over and over. By combining technical mastery with his distinct interpretations of structurally deceptive worlds of motifs, his canvases address universal themes with a contemporary complexity. Philipp Fröhlich (born 1975 in Schweinfurt, Germany) studied stage design under Karl Kneidl at the Düsseldorf Art Academy before changing from theater to independent painting twenty years ago. Fröhlich lives and works in Brussels and Madrid.

About

The essence of Philipp Fröhlich’s artistic work is his devotion to the present-day relevance of painting as a medium, as is mirrored in its rich history. Texts of both poetic and journalistic nature often provide a point of departure for his suggestive tableaux, and he develops his practice of painterly associations accordingly, transforming existing words, sentences, and sounds into complex and labyrinthine visual dramas. Fröhlich frequently works in thematic series that investigate topics such as criminology or, most recently, children’s fairy tales from all over the world.

The artist employs the following method: he constructs models with which he explores possible motifs seen from various points of view and lighting situations. Both the photographs that he takes of the models and the models themselves are then used as source material for his painted interpretations. The more seductive the visual spaces seem at the beginning, the more expansive they become as multiperspective realms of visual experience. It is particularly Fröhlich’s dramaturgy of light and color as well as his choice of framing that articulate the artificiality of his painted compositions, producing visual puzzles that are balanced between reality and the reality of painting. Fröhlich uses genres and languages of classic art history with great detail and precision as a sort of quarry for his depictions of humans, animals, architecture, and landscapes.

Fröhlich confronts painting—whose death and resurrection have been repeatedly invoked like a mantra for decades—with the energy, bearing, and vision of a maverick. For him, pictures represent potential riddles as well as infinite interconnections with the world as both a counterpart and perpetual enigma that can be rediscovered over and over. By combining technical mastery with his distinct interpretations of structurally deceptive worlds of motifs, his canvases address universal themes with a contemporary complexity. Philipp Fröhlich (born 1975 in Schweinfurt, Germany) studied stage design under Karl Kneidl at the Düsseldorf Art Academy before changing from theater to independent painting twenty years ago. Fröhlich lives and works in Brussels and Madrid.

Cv and Contact

Biography

born

Schweinfurt, Germany, 1975

education

Staatliche Kunstakademie Düsseldorf, Germany, 1996-2002. Attended the master class of Karl Kneidl

residence

lives and works in Brussels, Belgium and Madrid, Spain


Selected Solo Exhibitions

2022

Falada, Galería Juana de Aizpuru, Madrid

2021

Märchen, Kunsthalle Barmen, Kunst- und Museumsverein Wuppertal

2019

Hänsel und Gretel, Galería Juana de Aizpuru, Madrid

2015

HOAP of a Tree, Galería Juana de Aizpuru, Madrid

2012

Remote Viewing, Galería Soledad Lorenzo, Madrid

2010

Scare the Night Away, Galería Soledad Lorenzo, Madrid

2007

Beachy Head, Galería Soledad Lorenzo, Madrid

2006

Exvoto. Where is Nikki Black, Laboratorio987, MUSAC, León

2005

Sucesos, Centro de Arte Joven, Madrid


Selected Group Exhibitions

2023

Exotermia: Semiótica de la ubicación en la Colección MUSAC, León

Galería Juana de Aizpuru, Madrid

2022

El vertigo de la vida moderna, DA2, Salamanca

2019

Hundert Jahre Moderne, Von der Heydt-Museum, Wuppertal

2018

Cuestiones personales, Museo Nacional Centro de Arte Reina Sofia, Madrid

Neue Sammlungspräsentation, Aufbruch in die Moderne, Von der Heydt-Museum Wuppertal

2017

Extracto de una coleccion, Museo Patio Herreriano, Valladolid

De la Habana ha vendio un…, Galería Juana de Aizpuru, Madrid

Imbalance, Laznia Centre for Contemporary Art, Gdansk, Poland

Something old, Something new, Von der Heydt-Museum Wuppertal, Germany

2016

Iconografías 2.0, Museo Patio Herreriano, Valladolid

Una mirada en abierto, Conservera Ceuti

2014

Antes de Irse, MACUF, A Coruña

Soledad Lorenzo-colección, Centro el Carmen, Valencia

2013

Una posibilidad de escape, Espai d’art contemporani,Castellón

Colección, Museo de Arte Moderno y Contemporáneo de Santander y Cantabria

Pintura.Pintura, Galería Adora Calvo, Salamanca

Itinerarios de una colección, Casino de la Exposición, Sevilla

Diálogos, Museo Patio Herreriano, Valladolid

Declaración de ruina, Fundación Cerezales Antonio y Cinia, Cerezales del Condado, León

2012

Una mirada a lo desconocido, DA2, Salamanca

De ida y vuelta, ECCO, Cadiz

2011

Fiction and Reality, Moscow Museum of Modern Art, Moscow and Museo Patio Herreriano, Valladolid

Pulso XXI, Museo de Arte Moderno y Contemporaneo, Santander

Nuevas Adquisiciónes 2011, Fundación Coca-Cola, DA2, Salamanca

2010

Colección II, Centro de Arte Dos de Mayo, Madrid

2009

Enlaces+Cuatro, Museo Patio Herreriano, Valladolid

Paisajes. Entorno a la Colección MUSAC, Museo de la Siderurgia y Minería de Sabero

2007

Existencias, MUSAC, León

Planes Futuros, Baluarte, Pamplona

2006

Generacion 2006, Caja Madrid

2005

Generación 2005, Caja Madrid

Circuitos de Artes Plásticas y Fotografía, Madrid

Selected Public Collections

Museo Nacional Centro de Arte Reina Sofia, Madrid

Von der Heydt Museum, Wuppertal

Museo Patio Herreriano, Valladolid

Museo de Arte Contemporáneo de Castilla y León (MUSAC), León

City of Madrid

Centro de Arte Dos de Mayo (CA2M), Madrid

Domus Artium 2002 (Da2), Salamanca

Artium, Vitoria

Fundación Coca-Cola

Fundación Montemadrid

Brennscheidt Stiftung

Fundación Montemadrid

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