Lies and Deceit

I admit that I’ve always been a liar. Lying has always come naturally to me, because I’ve always been perfectly capable of convincing myself that a lie is the truth. At least up to a necessary point. I think it started because I literally never did my homework in school and had to lie and deceive my way through somehow. Invented stories, last-minute improvisations, forged signatures. These became standard practice throughout my school years. At some point, I became so accustomed to lying that I caught myself doing it even when there was no need at all.

Hänsel und Gretel is my favorite fairy tale, and it’s a story full of deception. The scene shown above is the beginning of it all. The parents lie in bed and talk about abandoning their children in the forest, pretending they’ll come back for them later. They maintain the illusion of domestic safety and predictability.

“Tomorrow early, we will take them out into the forest where it is the thickest. There we will light a fire for them and give them each a piece of bread. Then we will go to our work and leave them alone.”

When reading the story to children, it’s not the witch or the mention of cannibalism that frightens them most. This is the truly darkest part for them: the idea that their parents could be capable of leaving them behind. The children, in turn, secretly listen, make their own plans, and act as if they know nothing. Their lies are all about survival. They’re the weaker part, using deception to hold their ground in an unfair world.

From this point on, deception becomes the narrative engine of the story. What begins as whispered plans and secret listening unfolds into a sequence of traps, tricks, and turnarounds. Everyone deceives everyone else. Hänsel drops white stones along the path, then later breadcrumbs, trying to find a way back. The witch lures them in with her bread and cake house. Hänsel fools her with a bone so she believes he isn’t gaining weight.

The stakes grow with each trick. What starts as a delay turns into direct confrontation. The witch tries to coax Gretel into the oven. Instead, Gretel deceives her in return and pushes her inside. This chain of deception is what keeps the children alive. Each lie edges them closer to autonomy. In a world where care cannot be trusted, cunning becomes a kind of courage. Lying becomes the only available tool for navigating a reality that is already shaped by dishonesty.

The children listening to their parents’ plans in an illustration by Richard Scholz.
The children listening to their parents’ plans in an illustration by Richard Scholz.
Fairy tales are full of lies and deceit. This etching by Gustave Doré illustrates Little Red Riding Hood, where the wolf pretends to be the grandmother.
Fairy tales are full of lies and deceit. This etching by Gustave Doré illustrates Little Red Riding Hood, where the wolf pretends to be the grandmother.
Still from a West German film adaptation of Rumpelstilzchen, 1955. The tale begins with a lie: the miller tells the king that his daughter can spin straw into gold.
Still from a West German film adaptation of Rumpelstilzchen, 1955. The tale begins with a lie: the miller tells the king that his daughter can spin straw into gold.
Another Gustave Doré illustration, this time showing Baron Münchhausen pulling himself and his horse out of the swamp by his own hair.
Another Gustave Doré illustration, this time showing Baron Münchhausen pulling himself and his horse out of the swamp by his own hair.
Many cartoon jokes are based on lies. The Roadrunner and Coyote embody a world of constant trickery, where elaborate traps always backfire.
Many cartoon jokes are based on lies. The Roadrunner and Coyote embody a world of constant trickery, where elaborate traps always backfire.
Vertigo by Hitchcock is a great movie about illusion, obsession, and the power of deception. Nothing is as it seems.
Vertigo by Hitchcock is a great movie about illusion, obsession, and the power of deception. Nothing is as it seems.
The Greek gods often use deceit. Zeus disguises himself as a swan to seduce or assault Leda, depending on the version of the myth.
The Greek gods often use deceit. Zeus disguises himself as a swan to seduce or assault Leda, depending on the version of the myth.
In Hieronymus Bosch’s The Conjurer, deception takes center stage. While the conjurer distracts the crowd, a pickpocket steals a man’s purse
In Hieronymus Bosch’s The Conjurer, deception takes center stage. While the conjurer distracts the crowd, a pickpocket steals a man’s purse.
Hogarth’s etchings and Stravinsky’s opera based on them, The Rake’s Progress, deal with false promises and the downfall that follows a life built on deception.
Hogarth’s etchings and Stravinsky’s opera based on them, The Rake’s Progress, deal with false promises and the downfall that follows a life built on deception.
The Judas Kiss is one of the most iconic acts of betrayal. In Giotto’s version, love and treachery meet in a single gesture.
The Judas Kiss is one of the most iconic acts of betrayal. In Giotto’s version, love and treachery meet in a single gesture.
Vallotton’s painting Le Mensonge (The Lie) captures a moment of intimacy laced with deceit.
Vallotton’s painting Le Mensonge (The Lie) captures a moment of intimacy laced with deceit.
Painting and lying are deeply connected. Cornelis Norbertus Gysbrechts specialized in illusionistic works that trick the eye, reminding viewers that seeing is not always believing.
Painting and lying are deeply connected. Cornelis Norbertus Gysbrechts specialized in illusionistic works that trick the eye, reminding viewers that seeing is not always believing.
Magritte’s The Treachery of Images exposes the gap between image and reality. Painting becomes a space where truth and illusion constantly overlap.
Magritte’s The Treachery of Images exposes the gap between image and reality. Painting becomes a space where truth and illusion constantly overlap.
An oil sketch by Philipp Fröhlich showing a scene from Hänsel and Gretel.
An oil sketch for my 2018 painting, showing the same scene in a different way.
The painting shown at my exhibition Märchen at Kunsthalle Barmen, presented alongside other works from the same series.
The painting shown at my exhibition Märchen at Kunsthalle Barmen, presented alongside other works from the same series.
Philipp Fröhlich's painting Hänsel und Gretel I shows the parents plotting to abandon the children in the forest, while the children listen.
Hänsel and Gretel (240L), 2018, oil on canvas, 145 x 195 cm

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