Punishing Children

I must have been about four or five years old when a cleaning lady came to our house, probably once a week for some time. She had a little son who was about my age, and I remember him being very aggressive. Having been a rather skinny and frail child myself, physical confrontation was always out of the question. Somehow, though, I managed to calm him down and get along with him during his short weekly visits.

What I do remember very vividly, however, is his mother telling mine how the boy’s father would lock his son in a wardrobe as punishment.

And I can still remember wondering whether this was because the boy misbehaved so badly, or whether he might have been so aggressive precisely because his father locked him in the wardrobe. Or perhaps his father was just as aggressive as he was, but being bigger and stronger, could simply do as he pleased with his son.

There is an often-quoted biblical proverb saying “He that spareth his rod hateth his son: but he that loveth him chasteneth him betimes” (Proverbs 13:24).

A rather literal illustration of this principle can be found in a short tale entitled The Wilful Child, included by the Brothers Grimm in their collection of fairy tales:

Once upon a time there was a wilful child who did not do what its mother wanted. For this reason, the dear Lord took no pleasure in the child and caused it to fall ill, and no doctor could help, and before long the child lay on its little deathbed.

When the child had been lowered into the grave and the earth had been spread over it, suddenly its little arm emerged again and reached upwards. And whenever they put it back and covered it with fresh earth, it was no use, for the little arm kept coming out again.

Then the mother herself had to go to the grave and strike the little arm with a rod, and when she had done so, it withdrew, and only then did the child finally rest beneath the earth.

It’s curious, but we are never really told what the child has actually done, other than not doing what its mother wanted. The drastic consequences of its disobedience remind me of Heinrich Hoffmann’s Struwwelpeter.

Hoffmann, a physician, liberal and psychiatric reformer, had been looking for a picture book to give his three-year-old son as a Christmas present. Finding everything available unsatisfactory, he decided to write and illustrate one himself. It was published in 1845 and later became known as Der Struwwelpeter.

It features such grotesquely disproportionate consequences of undesirable behaviour as Konrad having his thumbs cut off by a tailor wielding an enormous pair of scissors because he refuses to stop sucking them.

Struwwelpeter left a lasting cultural impression in German-speaking countries.

Having been a particularly poor eater in my early childhood, I was called Suppenkasper on numerous occasions by my parents. This Suppenkasper [Soup-Kaspar] repeats his catchphrase, “Nein, meine Suppe ess’ ich nicht!” [“No, I won’t eat my soup!”], in the course of three verses, with the accompanying illustrations showing the well-fed boy becoming ever thinner and stick-like. The fourth illustration shows only his grave, with a soup bowl on top.

I was often called Zappel-Philipp [Fidgety Philip], too, since I share both the name and the restlessness of the boy who rocks back on his chair until he brings the entire contents of the dinner table crashing down on himself.

The ambiguity of these stories is that it is never entirely clear whether they are intended to frighten children into obedience or to make the whole business of punishment faintly ridiculous.

For a child actually being punished, however, I imagine the experience is very real indeed.

The Wilful Child first appeared in the second volume of the Brothers Grimm’s Kinder- und Hausmärchen (Children’s and Household Tales) in 1815. Frontispiece and title page, with a portrait of Dorothea Viehmann by Ludwig Emil Grimm.
The Wilful Child first appeared in the second volume of the Brothers Grimm’s Kinder- und Hausmärchen (Children’s and Household Tales) in 1815. Frontispiece and title page, with a portrait of Dorothea Viehmann by Ludwig Emil Grimm.
Otto Ubbelohde, illustration for Das eigensinnige Kind (The Wilful Child), 1909.
Otto Ubbelohde, illustration for Das eigensinnige Kind (The Wilful Child), 1909.
The cover of my copy of Heinrich Hoffmann’s Der Struwwelpeter, first published in 1845.
The cover of my copy of Heinrich Hoffmann’s Der Struwwelpeter, first published in 1845.
Die Geschichte vom Suppen-Kaspar (The Story of Soup-Kaspar)
Die Geschichte vom Suppen-Kaspar [The Story of Soup-Kaspar].
Zappel-Philipp (The Fidgety Philip) rocks back on his chair at the dinner table, despite his father’s warning.
Zappel-Philipp (The Fidgety Philip) rocks back on his chair at the dinner table, despite his father’s warning.
The tailor cuts off Konrad’s thumbs with an enormous pair of scissors because he refuses to stop sucking them.
The tailor cuts off Konrad’s thumbs with an enormous pair of scissors because he refuses to stop sucking them.
Nicolaes Maes, The Naughty Drummer, c. 1655. Museo Thyssen-Bornemisza, Madrid.
Nicolaes Maes, The Naughty Drummer, c. 1655. Museo Thyssen-Bornemisza, Madrid.
Francisco de Goya, La letra con sangre entra (The School Scene), c. 1780–85. Museo de Zaragoza, Spain.
Francisco de Goya, La letra con sangre entra (The School Scene), c. 1780–85. Museo de Zaragoza, Spain.
Francisco de Goya, Que viene el Coco (Here Comes the Bogeyman), 1799. Plate 3 from Los Caprichos.
Francisco de Goya, Que viene el Coco (Here Comes the Bogeyman), 1799. Plate 3 from Los Caprichos.
Jan Steen, The Village School, c. 1665. National Gallery of Ireland, Dublin.
Jan Steen, The Village School, c. 1665. National Gallery of Ireland, Dublin.
Francis William Edmonds, Pupils Being Punished, 1840.
Francis William Edmonds, Pupils Being Punished, 1840.
Émile Claus, Op straf (Punished), c. 1876–78.
Émile Claus, Op straf (Punished), c. 1876–78.
Sir Edwin Landseer, A Naughty Child, 1834.
Sir Edwin Landseer, A Naughty Child, 1834.
Pierre-Édouard Frère, The Reprimand, 1863.
Pierre-Édouard Frère, The Reprimand, 1863.
John George Sowerby, The Punished Child, from At Home, 1881.
John George Sowerby, The Punished Child, from At Home, 1881.
An Old-Fashioned Boys’ School, 1905. Photograph, Library of Congress, Washington, D.C.
An Old-Fashioned Boys’ School, 1905. Photograph, Library of Congress, Washington, D.C.
A pupil wearing a dunce’s cap in a French classroom, 24 May 1883.
A pupil wearing a dunce’s cap in a French classroom, 24 May 1883.
Norman Rockwell, Mother Spanking Her Child, 1933. Cover illustration for The Saturday Evening Post.
Norman Rockwell, Mother Spanking Her Child, 1933. Cover illustration for The Saturday Evening Post.
Max Ernst, The Virgin Spanking the Christ Child before Three Witnesses: André Breton, Paul Éluard and the Painter, 1926. Museum Ludwig, Cologne.
Max Ernst, The Virgin Spanking the Christ Child before Three Witnesses: André Breton, Paul Éluard and the Painter, 1926. Museum Ludwig, Cologne.
Angela Strassheim, Untitled (The Spanking), 2006. From the series Pause.
Angela Strassheim, Untitled (The Spanking), 2006. From the series Pause.
Philipp Fröhlich's painting (102L), 2008, tempera on canvas, 110 x 145 cm
(102L), 2008, tempera on canvas, 110 x 145 cm

Sign up to receive a brief update every two weeks when a painting is added.